Saturday, 4 January 2020

Proverbs of the Elephant- Chisimo che Enjofu



1.       Enjofu efutara bakikhoma mumania
(It’s only the elephant has turned its back that the ugly behinds are abused; A backbiter will wait until you leave then descend down upon you).

2.       Nandakambilwa kakona khumwanda kwe enjoli
(The one who refused advice slept on the path frequented by elephants; At times people stubborn to advice should be left to be taught a lesson by life’s experiences)

3.       Enjofu seria lusambu lwo mwana ta
(The Elephant fears not a child’s garden; One with an arrogant character is destructive and knows no limits)

4.       Enjofu yasena omusindikhe
(The Elephant trampled over he who pushed it; Do not sit on the way of danger and not expect to be harmed)

5.       Walekha enjofu wauna sichakha
(You’ve missed the elephant and stabbed the thicket; Don’t miss the real issues and attack a wrong person based on your emotions).

6.       Enjoli neyinyokha ekelao yenyosia tubetube
(When the elephant rises, it later rises tubetube bird-symbol of chaos; Flee to a safer space when you see trouble brewing)

7.       Enjofu yebubwayaya sekhusia kumusanga ta
(A young reckless elephant won’t see its tusk grow up to maturity; Reckless decisions attract risks and you may never mature to enjoy better days ahead)


Friday, 22 November 2019

Bukusu Religiosity and Fading Consciousness: A 999-Word Essay





 


It is said that a person with a group of fierce dogs should never complain of receiving no visitors in their homestead…


Today, isn’t a lesser sin not to have well-written accounts of Bukusu culture and heritage than having few existing accounts having been written by outsiders? So, the Bukusu Sub-nation suffers from self-inflicted pain. For every elderly man or woman we bury, the further away we move from the pride of our heritage preservation. We have fallen short of writing poems, songs, stories and even pieces of performing art that would tell accurate stories about our way of life.


Karl Marx’s notion of consciousness was that of making political sense of life and self-awareness from which enormous pride of a people stems from. And we got to stop defining political identity in terms of voters but embrace a wider understanding of the Bukusu identity.


A typical millennial from Western Kenya in the city street gets embarrassed in replying to greetings in the Native Bukusu language. Is the adoption of Western Culture (and language) the new normal to a point of hiding our native consciousness?

The debate on the failing Bukusu consciousness has lots of winding paths but for this piece, I focus on the fading religious beliefs and how the core rituals, which once defined a strong people, have become elusive. I will strike to the very core. When colonial imperialists came hunting for minerals and domination, they projected incorrect narratives about native African communities. They told us we were primitive (despite strong inter-clanal unity and coexistence) and missionaries reminded us that we worshiped false gods. That we had a backward way of life, and poor governance structures and so we had to turn to them for literacy and high order consciousness.


So we left everything and followed the pink man, surrendering our rituals, gods, lands, manpower, and authority unto them. They turned us against ourselves and we were bewildered on what we should believe in. Luckily, they lured us with their handworks, coins, bicycles, bibles, and even new language and ‘formal’ schooling system. White authors wrote negatively about out cultures and religions like Dini ya Musambwa being a ‘rural rebel’ politico-religious movement (See Vermouth’s 1980 article in The International Journal of African Historical Studies) and so on. They systemically targeted to weaken our self-identity, discarded our religious beliefs by limiting publications by locals who may have given more accurate accounts of our way of life. But, thanks to Anthropologists such as Dr. Patrick Makila, Prof Gideon Were, Dr. Florence Namulunda, Dr. Nganga Simon, Kizito Wasike Mukhwana who make in the list of fine scholars who have truly preserved bits of our history.


This is no atheist account (a word white missionaries devised to refer not just to the faithless but those unable to believe in God and Christ Jesus) but I am Roman Catholic. I explore the depths of Bukusu religious identity because I believe it is not as dark as the outsiders purposed the world to believe so).


Bukusu had authentic religious beliefs in a Supreme Being (Wele Khakaba- the Creator or molder). Khakaba was and is the giver of life and the source of all authority on land, in water and air. Under him were Wele Mukhobe (alluding to light), Wele Malaba (the Protector) and Wele Murume (the Messenger) and perhaps others more. In our unwritten religious dogmas, we believe in good and prayed for heavenly blessings for each other. We collectively helped the underprivileged, tilled land together, planted and sang harvest songs together. We made sacrifices to appease the Supreme Being like biblical Judah and Israelite communities. In periods of drought, we lifted our eyes to the sky and mountainous and Khakaba rewarded. We sang out folklores, told ancient stories of our war heroes and great heroines. From Mango Omukhurarwa, to Nambo mukho-Mwami and Wele wa Kasawa. From Mulya we Sang’alo to Mukite, Kharuba, Kikayi wa Weswa, Mukisu Lufwalula, and many others.



We detested stealing, murder, conflict. We outlawed witches, child molesters, those in same-sex relations, and cold blood killers. We held traditional ceremonies to cleanse incestuous people, night runners, children who fought parents and those with other marks of evil. We commissioned circumcisers and taught young men and women their gender roles. We adhered to rituals like khubita (counsel to newly circumcised), khukhwaya chikhafu (ceremonies of the dead), listened to baswala kumuse (public teachers), celebrated birth and death; and adhered to words of seers like Maina wa Nalukale, Wachiye, Mutonyi wa Bukelembe, and Manyi Omukhurarwa. We waged gentleman’s war not to inflict unnecessary harm but defend community interests.


We succeeded and failed in many instances but we were a united and spiritual people. Our religion was not dark, cultish or rebellious as most books on our culture say. Outsiders attacked our unity, encouraged us to leave our culture and rituals and we played right into it. It is true that just any other community, Babukusu have undergone evolution (See Worlf’s 1971 article Religious innovation and Social Change among the Bukusu) and we have embraced new forms of beliefs including Christianity (or Islam, based on one’s convenience). We have adopted new technologies, got a formal education and landed on careers to develop our country and our families. But we continue to lose some critical beliefs that define us. 



Who will teach us about traditional medicine? How the newly married should live? How to approach land issues, and make our homesteads strong? When to tap termites and gather bumekele? Who will preserve our vocabulary and teach us to sing ancient songs? 



Where are our local culture writers? Who are investors in local music and film studios? Painters, narrators and performing artists? Unto whom does the weight of raising our consciousness lie?



Until we reflect back on where we came, our future may not be any clearer. And what we tell our children’s children about our way of life?



Santarayan, the philosopher, warned us that ‘those who do not learn history are doomed to repeat it’?


Monday, 19 August 2019

Khuswala Kumusee: Who will walk in the shoes of Wanyonyi Manguliechi?

In tribute of the fallen Omuyitu Elder, Omukinyikeu Wanyama Khaoya (1926 -2019) whom the Khakaba has called after fullness of years…




What is its Origin?
In the remember-able history of Babukusu, Khuswala kumusee/ Esimbo was first performed by Mwambu after the funeral of Samba Sambarani Ngunyi when Babukusu first lived in Situluku. Omukananachi Luka Namulala from the house of Omutukwiika Musamali, the son of Maina wa Nalukale, Wachilonga Omubichachi, Saenyi Omubulo and Wabule wa Machakhi, Omubuulo are notable performers.

Up until recently, this task of public preaching/comforting was done by John Wanyonyi Manguliechi, a dedicated Omumeme clansman uncled at Ebubuya. Born in 1930 in Kamusinga village and circumcised under Bakinyikewi in 1946, Manguliechi would find the company of Simoni Masakha who trained him through the three vital stages of khuswala; performing while seated (5 years) , standing (3 years)  and finally while walking. After being a full performer in 1976, Manguliechi became known all over bukusu-land until he breathed his last in July 2012 and rested with his forefathers. 


What is khuswala Kumusee anyway?
This is a unique, strong and direct calling by Wele Khakaba not only to be a custodian of Bukusu history but to condemn, guide, teach and comfort people in public places. It is a unique art that requires specific type of kumusambwa, inherited magico-religious power to be a performer. The performer, called oswala kumuse, an elderly man of strong moral standing who he is mentored to take up this task.

Conditions for Oswala Kumuse:
i.  One cannot perform kumuse if his first born child is a girl and also if his father is alive or he will be killed in the act.
ii.  His father or his father’s age-mates should not find him performing, he will die.
iii. He should not be Omubini- a night runner
iv.  He should not be Omwifwi- a thief
v.   He should not be Omulosi –a witch
vi.   He should not be we bichubo- one who easy to curse
vii.  He should not be we chinge- a mean person
viii. He should not be waria embalu – one who failed to endure circumcision pain
ix.  He should not be Omwana wa Nasikoko – a child born of a woman married before.
x.   He should not be omukhwana – a twin

What Instruments/regalia does Oswala Kumuse need?
i.   Ekutusi- Colobus Monkey Skin
ii.   Lichabe- elder’s robe
iii.  Kumukufu - chain of ostrich egg-shells, put on if deceased is a twin
iv.   Garb – ekutwa
v.    Endebe embukusu – Bukusu traditional 3-legged stool
vi.   Esimbo – a rod (that led Babukusu from Situluku to Sibakala- like synonymous to the Biblical rod that Moses used in Red Sea crossing)

Which clans produces Baswala Kumuse?
i.   Batukwiika (only Bakitang`a  and  Baluleti),
ii.  Babuulo,
iii. Bayiitu,
iv.  Bachemayi
v.   Babuya (all sub-clans- Bakabo, Bawoolo, Basikulu, Bauucha, Baumbwa, and Bakhufwe)
vi.  Bameme,
vii. Bamusomi,
viii. Bachemwile,
ix.  Babichachi and
x.   Bakhwami among few others.
Any imposter from the non-performing clan who puts on the ritual garb and tries to perform will drop dead in the arena and die on the spot!

What the Oswala Kumuse Orator does
  1. The ritual takes place three days after burial
  2. Mourners get seated ahead of his arrival, forming an open circle –women & children on one side, men on the other.
  3. The widow(s) and orphaned children sit on the side of women on the ground with their legs stretched out in front of them in line with khulungisia lisaye.
  4. The orator comes from the North, preparing a path (kumuse about 8m long) from south to north, on which he walks as he speaks.
  5. The Kumuse path signify the road to the afterlife that the deceased will follow.
  6. No one should ever cross this part, reason why the ritual is conducted far off the compound.
  7. He speaks in styled, articulated words, asking questions, most of which are rhetorical.
  8. Audience only participates at needed intervals.


His roles:
  1. To comfort the family, clan  and gathered people, reminding that we are mortal and death is the wish of God
  2. He counsels the bereaved family- sons to unite even in crisis, daughters to love husbands and all to care for the widow
  3. He peaches against ills such as bubeyi (lies), bubwifwi (thievery), kunywanywa (devourness) and embelekeu (lack of respect) among other morals.
  4. Towards the end, oswala kumusee talks about historical occurrences and past happenings to strengthen and stabilize the community.
  5. At the end, he runs from side to side, three times (khusoma- wandering) as a way of mourning since he is not allowed to shed tears.
  6. He then stops at the center and utters finally words like: “Kumwoyo Kwalila enoo. Mayi Kumwoyo Kwalila enqo. Mele Omundu yuno bona alikhunqila kecha mwakanile (My heart is grieving for home, God this person is on his way coming, please welcome him)."

The Prohibitions in Khuswala kumuse
1.      For the Performer
  1. Oswala Kumuse should not drink alcohol, eat flying termites, cut a tree or participate intercourse with his wife if he performs the following day.
  2. From his home to the ceremony he does not talk or greet with anyone (unless with a fellow performer)
  3. He enters from north and does not at any point swallow saliva
  4. He does not carry money given to him for the ceremony
  5. His kin (brother etc.) /father should not be part of audience
  6. He should never point his esimbo at any person, the person pointed will drop dead immediately.

2.      For the audience
  1. They should sit silently, without any slight fidgeting or unnecessary responses.
  2. No one should sneeze, never. It is forbidden (engani). If he/she does, they should rise and leave.


With Manguliechi Omumeme gone, who will perform for my fallen grandfather? Or perhaps, as Nandemu Barasa and Timothy Makokha say, Omukambisi Joseph Natembeya (Omunyange -1956) from the house of Israeli Khaoya of Batukwika - Bakitang’a clan in Ematili is fit to fill this very important gap in the community?


With special credit to Kizito Wasike Mukhwana, UoN’s Institute of African Studies
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